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Review: Bristol Film Festival
The Bristol Film Festival opened last night, not with a bang, but with a splash, as film lovers climbed aboard Bristol landmark, the SS Great Britain, for a screening of Peter Weir’s highly underrated, maritime adventure, Master and Commander.
The screening was accompanied by a live acapella group singing sea shanties throughout the vessel, as the audience were invited to explore the museum and experience something of the reality of life at sea. It truly was the immersive cinematic experience that the Bristol Film Festival champions.
Meanwhile, across the city, in the arched ageing vaults of Avery’s Wine Merchants, a rather more serene screening of the black comedy, and wine lover’s manifesto, Sideways, was taking place. Speaking to Owen Franklin, founder and director of the festival which is now in its third year, he was adamant that when it comes to film the experience matters:
“An evocative setting adds an additional element to the movie experience, especially when sharing in this experience with a group - for example, horror movies like The Descent are even more intense when viewed deep underground in the Redcliffe Caves! It’s also a great way to work with Bristol’s amazing range of iconic venues and landmarks, and showcase their spaces in a new light. Our film and venue pairings are designed to complement each other.”
From 9th-12th March (and with more dates added all through the year) Bristol Film Festival will be carving out a section of this city for its film fanatics. With venues including: Arnos Vale for a collection of halloween family favourites, the Redcliffe Caves will indeed play host to some of cinema’s darkest features, and the Royal Academy will provide an indie and arthouse cinema selection that will introduce you to new filmmakers and essential off the grid classics.
To find out more about the Bristol Film Festival click here.
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